HOMELANDS

Restoration. Sovereignty. Recognition.

Restoration. Sovereignty. Recognition.

HOMELANDS

Visibility Through Art 2019

By its third year, Visibility Through Art had grown beyond its beginnings as a supplement to Nisenan Heritage Day, emerging as a distinct community program rooted in artistic collaboration, Cultural revitalization, and Nisenan visibility. 

Building upon the trust and partnerships established during its first two years, the 2019 exhibition reflected an important evolution in the program. While local artists continued to collaborate in support of CHIRP (now HUṠWEJ’s) mission, an increasing number of Nisenan Tribal members shared their own artwork and creative voices, marking a meaningful shift toward a more Tribal-forward expression of Visibility Through Art. Together, these works invited visitors to engage with the enduring presence of the Nisenan People through themes of Homeland, identity, memory, and Cultural continuity. 

Looking back, the 2019 exhibition represents an important turning point in the development of the Visibility Through Art initiative. The relationship cultivated during these formative years laid the foundation for the program’s continued growth – from an annual opening art reception for Nisenan Heritage Day, to the opening of ‘UBA SEO: Nisenan Arts & Culture in 2021, and today, to a broader ecosystem of Nisenan Tribal arts programming and Cultural enrichment that continues to grow through the gallery and the Homeland Return of Yulića. 

Visibility Through Art & Cultural-Sensitivity 

This show required continuously navigating the sensitive and real topics of cultural appropriation, privilege, and erasure, especially with many of the artists being non-Nisenan.

As Shelly Covert explained,

“Giving a non-native artist permission to paint something of cultural importance is a constant struggle and is not to be seen as a “pass” for others to do the same. A Native artist recently asked me how my consent for this project might affect her and other Native artists who fight to keep cultural content in their own hands. And, while I don’t have an easy answer, I do see the importance of making it clear; this was a very special collaboration and it would not have worked without the Tribal Council having final say to the details of the pieces. Artists were open every step of the way to many critiques, ideas, and concerns.

In the end, the artworks absolutely further CHIRP’s mission: to preserve, protect and perpetuate Nisenan culture. Visibility of the Nevada City Rancheria Nisenan is paramount to getting our Federal Recognition back. What better way to accomplish this than through the Arts.”

Much of today's conversation revolves around the Gold Rush and our community doesn't know about the ancient Native American society of people who lived here long before the coming of the pioneers and settlers. Our deepest hope is to bring about awareness of local historic and current issues through the medium of art. A successful project will bring together community to reflect on the future, navigating a collective conversation.

This is not a simple journey, artists were asked to engage in deep listening to the stories and history shared with them by the Tribal Members, Tribal Council and Nisenan Elders.

Together each artist collaborated individually with Tribal Members on their art pieces to create respectful and reflective works. Creating artworks that reflect the Nisenan people, Culture, and history is another way to preserve and bring visibility to The Nevada City Rancheria Nisenan.

It is difficult to openly talk about the near genocide and erasure of the Nisenan and the destruction of this land. Let us bring these conversations to light utilizing art as the conduit.

Many hands went into making this vision possible.

EXHIBITING

Consulting Nevada City Rancheria Nisenan Tribal Members: Ginger Covert, Lorena Davis, Sarah Thomas, Saxon Thomas, Cassandra Johnson, Shelly Covert, Karen McCluskey, and Richard Johnson. IN SPIRIT, Dutch Rose, Carmel, Jackson Rose, Alberta “Birdie” Gallez, and Maryann Start.

Participating Artists: Ron Kenedi, Chloe Young, Jarod Kane, Mira Clark, Alyssa Walz, Jennifer Rugge, Bishop Randall, Bo Blain, Rama Cryer, Teighlor Renee Anderson, Jenny Hale, Jessa Hurst, Lori Lachman, Andy Cerrona, Miles Toland, Indigo Donaldson, Leilani Webb

I Heard Their Stories

by Lorena Rose Davis

Nevada City Rancheria Tribal Member

It began with vague thoughts and whispers
entering my dreams at night,
telling me to go back, to our ancestral site.

I went into the mountains to see if I could find
my once forgotten heritage, I'd gladly left behind.

They say it's in our memories of the one's so long ago
handed down from generations, to those who choose to know.

With much fasting and prayer as I sat there
not knowing what to expect,
when all of a sudden, the ground began to shake.

They came around midnight, a ghostly eerie sight to see
singing songs and chanting,
dancing around the campfire and me.

Their eyes were like fire, faces chiseled from stone
then I heard their stories told in a ghastly moan.

The things they endured for so many years.
I heard their stories sounds of screaming in my ears.
These faces so strong were now streaming with tears.

My mind was racing, heart beating fast
looking into the faces I knew were from my past.

I came away from that mountain with a heart full of pride
even though I'd tried to hide.

My family and ancestors, had never denied me.

Gallery of Artworks

NISENAN HERITAGE DAY 2019
OPENING ART RECEPTION
& EXHIBITION PROCESS

Archival Note

This exhibition was presented before the opening of
'UBA SEO: Nisenan Arts & Culture gallery in 2021.

During the early years of Visibility Through Art, annual exhibitions were held in conjunction with Nisenan Heritage Day and took place at community venues throughout Nevada City.

These exhibitions helped establish the foundation for what would become the gallery and ongoing Visibility Through Art program.

Today, ‘UBA SEO serves as the permanent home for Visibility Through Art exhibitions while preserving the history of the program's earlier projects.