HOMELANDS
Restoration. Sovereignty. Recognition.
Restoration. Sovereignty. Recognition.
HOMELANDS
Visibility Through Art 2019
This project was inspired by the Nevada City Rancheria Nisenan Tribe's desire to engaged local artists to create artwork that authentically represented the Nisenan and their rich but nearly forgotten history here in Nevada County. The goal: to create conscientious art pieces that conversate around the history and culture of the Original Peoples of this land.
This show requires continuously navigating the sensitive and real topics of cultural appropriation, privilege, and erasure, especially with many of the artists being non-Nisenan.
As Shelly Covert explained,
“Giving a non-native artist permission to paint something of cultural importance is a constant struggle and is not to be seen as a “pass” for others to do the same. A Native artist recently asked me how my consent for this project might affect her and other Native artists who fight to keep cultural content in their own hands. And, while I don’t have an easy answer, I do see the importance of making it clear; this was a very special collaboration and it would not have worked without the Tribal Council having final say to the details of the pieces. Artists were open every step of the way to many critiques, ideas, and concerns.
In the end, the artworks absolutely further CHIRP’s mission: to preserve, protect and perpetuate Nisenan culture. Visibility of the Nevada City Rancheria Nisenan is paramount to getting our Federal Recognition back. What better way to accomplish this than through the Arts.”
Much of today's conversation revolves around the Gold Rush and our community doesn't know about the ancient Native American society of people who lived here long before the coming of the pioneers and settlers. Our deepest hope is to bring about awareness of local historic and current issues through the medium of art. A successful project will bring together community to reflect on the future, navigating a collective conversation.
This is not a simple journey, artists were asked to engage in deep listening to the stories and history shared with them by the Tribal Members, Tribal Council and Nisenan Elders.
Together each artist collaborated individually with Tribal Members on their art pieces to create respectful and reflective works. Creating artworks that reflect the Nisenan people, Culture, and history is another way to preserve and bring visibility to The Nevada City Rancheria Nisenan.
It is difficult to openly talk about the near genocide and erasure of the Nisenan and the destruction of this land. Let us bring these conversations to light utilizing art as the conduit.
Many hands went into making this vision possible.
EXHIBITING
Nevada City Rancheria Nisenan Tribal Member Artists: Ginger Covert, Lorena Davis, Sarah Thomas, Saxon Thomas, Cassandra Johnson, Shelly Covert, Karen McCluskey, and Richard Johnson. IN SPIRIT, Dutch Rose, Carmel, Jackson Rose, Alberta “Birdie” Gallez, and Maryann Start.
Participating Artists: Nikila Badu, Bo Blain, Andy Cerrona, Ruth Chase, Mira Clark, Rama Cryer, Jose Dominguez, Indigo Donaldson, Jenny Hale, Jessa Hurst, Dani Joy, Jarod Kane, Ron Kenedi, Lori Lachman, Bishop Randall, Teighlor Renee Anderson, Jennifer Rugge, Miles Toland, Alyssa Walz, Leilani Webb, and Chloe Young.
Gallery of Artworks
Birdie by Jarod Kane, ellugallery.com/jarod-kane Charcoal and clay Featuring Alberta “Birdie” Rose Gallez ____________________________________________ It has always been the primary function of myth to provide the right symbols to carry the human spirit forward, to contradict those constant fantasies that would hold us back. Through the stories of Coyote we learn of a trickster or of someone who meddles. Coyote can do what we shouldn’t do or say what shouldn’t be said. Through the stories of Coyote we learn life lessons and perhaps some fun.
Kapa (Bear) By Jennifer Rugge Mixed media, papers, mineral paints, gold leaf, charcoal and cold wax. Collaboration with Nevada City Rancheria Spokesperson and Tribal Council Member Shelly Covert ___________________________________________ In the painting, kapa holds and protects sacred Nisenan beings and the Sacred Mountain, 'estom yanim is etched along his back. If you look closely, other important Nisenan symbology can be found as-well-as great animal beings who are completely gone or in danger of disappearing. We are grateful to artist Jennifer Rugge for creating this image exclusively for our 10th Anniversary Nisenan Heritage Day poster and merchandise. The Mountain Lion, pekun, watches and protects. It is a symbol of leadership, the balance of power, intention, physical strength, and grace or as the balance of body, mind and spirit. Here the shoulders and back of pekun reflect the ridge of the sacred mountain, ‘estom yanim.
Pekun (Mountain Lion) By Jennifer Rugge Mixed media, papers, mineral paints, gold leaf, charcoal and cold wax. Collaboration with Nevada City Rancheria Spokesperson and Tribal Council Member Shelly Covert ___________________________________________ In the painting, kapa holds and protects sacred Nisenan beings and the Sacred Mountain, 'estom yanim is etched along his back. If you look closely, other important Nisenan symbology can be found as-well-as great animal beings who are completely gone or in danger of disappearing. We are grateful to artist Jennifer Rugge for creating this image exclusively for our 10th Anniversary Nisenan Heritage Day poster and merchandise. The Mountain Lion, pekun, watches and protects. It is a symbol of leadership, the balance of power, intention, physical strength, and grace or as the balance of body, mind and spirit. Here the shoulders and back of pekun reflect the ridge of the sacred mountain, ‘estom yanim.
Carmel Rose Jackson, Restored. Alyssa Walz Pencil, Colored pencil, Ink ___________________________________________ Featured in this image is Matriarch Carmel Rose Jackson b. 1921, photographed with a traditional Nisenan dancing belt wrapped around her head. During the photoshoot the Non-Nisenan photographer asked Carmel to tie her dancer’s belt around her head—even though it did not belong there. She did not want to embarrass the photographer so she posed that way. This is a classic example of how culture can become misrepresented by outsiders which further contributes to erasure. This art piece reclaims the true purpose and tradition of the Nisenan dancing belt. This art piece is intended to allow Carmel’s portrait to be viewed as it should have been originally, without her dancer's belt on her head.
Earth Minerals in Painting, a Workshop with Tribal Members. Artwork by NCR Nisenan Tribal Member: Ginger Covert. Mixed media using papers, charcoal, and mineral paints ___________________________________________ With Earth Artist, Jennifer Rugge, Tribal members learned the skill of mixing natural mineral pigments into paints and their application to create organic works of Art on wood panels. Members worked individually mixing paints with oil and beeswax, designing and finishing their art pieces. At the conclusion of the workshop, it was realized that each painting represented a Season.
Earth Minerals in Painting, a Workshop with Tribal Members. Artwork by NCR Nisenan Tribal Member Sarah Thomas. Mixed media using papers, charcoal, and mineral paints ___________________________________________ With Earth Artist, Jennifer Rugge, Tribal members learned the skill of mixing natural mineral pigments into paints and their application to create organic works of Art on wood panels. Members worked individually mixing paints with oil and beeswax, designing and finishing their art pieces. At the conclusion of the workshop, it was realized that each painting represented a Season.
Earth Minerals in Painting, a Workshop with Tribal Members. Artwork by NCR Nisenan Tribal Member Lorena Davis. Mixed media using papers, charcoal, and mineral paints ___________________________________________ With Earth Artist, Jennifer Rugge, Tribal members learned the skill of mixing natural mineral pigments into paints and their application to create organic works of Art on wood panels. Members worked individually mixing paints with oil and beeswax, designing and finishing their art pieces. At the conclusion of the workshop, it was realized that each painting represented a Season.
Earth Minerals in Painting, a Workshop with Tribal Members. Artwork by Ember Amador (not a Tribal Member). Mixed media using papers, charcoal, and mineral paints ___________________________________________ With Earth Artist, Jennifer Rugge, Tribal members learned the skill of mixing natural mineral pigments into paints and their application to create organic works of Art on wood panels. Members worked individually mixing paints with oil and beeswax, designing and finishing their art pieces. At the conclusion of the workshop, it was realized that each painting represented a Season.
